In the Heat of the Night - #75 Greatest American Movie

Sidney Poitier soars again in In the Heat of the Night.  A murder of a prominent businessman in the deep south leads the police to round up anyone who looks suspicious.  Their first victim is a northern black man at the train station.  He is assumed guilty and arrested without being allowed to speak a word.  When the police chief interrogates him, he discovers that the accused "negro" is not only innocent but is also a hot-shot homicide detective from Philadelphia. 
Poitier stays on to help solve the case, somewhat unwillingly at first, and then stubbornly and defiantly later.  His presence and obvious investigative superiority are unsettling for this small racist town.  He is continually called "boy" even as he proves his intelligence and acumen again and again.  Finally, of course, he solves the case and wins the reluctant respect of the chief.
This film was both political commentary (exposing the foolish and derogatory attitudes of racism) and motivational piece (encouraging equality and merit based work and social environments).  As such, it was extremely effective.
The Josh rating is easy on this one.  It was good through and through: JJJJJ.

Mr. Smith Goes to Washington (#26 Greatest American Movie of All Time) - Review

We scored a free copy of Mr. Smith Goes to Washington, the 1939 Frank Capra classic staring a very young Jimmy Stewart.  This film has been called one of the greatest whistleblower films in American history.
Due to the sudden death of a sitting senator, the state's corrupt governor appoints political novice Jefferson Smith to fill the role - expecting that he can be easily manipulated.  Smith stumbles into disrupting a plan for graft, and his lonely, innocent patriotism faces the Goliath of a well-oiled system of corruption and intimidation.
Smith's idol and senior senator from his state demonstrates the bargain that many politicians make.  Compromise your values for the sake of political productivity.  He finally admits to Smith that he has cooperated with corruption for the sake of the greater good.  Smith holds to his ideals and reminds us that some things are too sacred for compromise. 
Apparently, this movie was intended to highlight the reality of corruption in Washington, and it garnered quite a bit of criticism in the process.  Unfortunately, its naive characters and simple dialog sound overwhelmingly cheesy to 21st century ears. 
Some classics stand the test of time in terms of entertainment and maintaining interest.  We often found ourselves drifting away into conversation or out of the room for snacks or not particularly caring when the kids came chattering into the room.  Unfortunately, however meaningful this Mr. Smith was in its own time, and however important its message is for our time, its weak plot and dialog leave it a little lost in our time.
Sadly, the Josh rating is less than it could be: JJJ.

The African Queen (Best Movie #17) - Review

The African Queen, starring Humphrey Bogart and Katherine Hepburn, ranks as the #17 best movie of all time on the American Film Institute's top 100 list.  This is one of the few older romantic comedies that we didn't find supremely cheesy.  Sure, it has its moments, but overall, this is a movie about one person coming out of her shell and two people falling in love.
Katherine Hepburn is a missionary in Africa when World War 2 breaks out.  The colonial territories of Germany and Great Britain are caught up in the conflict.  When her brother dies, she must ride to safety on the old river boat of the kind but rough Humphrey Bogart.  She slowly develops respect for him and freedom to be herself, and eventually they fall in love.  Without giving away the ending, there is an over-the-top but artistic ending that wraps the movie in a pretty bow.
One refreshing element of this movie was the modesty.  If this movie was made today, it would have been filled with nudity and sex.  However, The African Queen  has them taking dips into the river in their boxers and bloomers.  That might not be as realistic, but it was nice to be able to watch a movie without having to deal with that temptation.
The Josh rating: JJJJ.

Double Indemnity - AFI Greatest Movie #29

"Straight down the line, Baby.  Straight down the line."  Perfect plan.  Perfect execution.  Perfect murder.  Except that nothing is ever perfect.
In Double Indemnity, AFI's 29th greatest film of all time, Fred MacMurray (the star from "My Three Sons") is swept into a murder plot by a beautiful woman who wants to be free from her overbearing husband.  As an insurance guy, he ought to know how to work the system, and he almost does - until his intuitive and nosy friend spots the one hole in their case.  From that point on, MacMurray begins to unravel in the style of Crime and Punishment.
All in all the point seems to be rather simple, crime (and selfishness) doesn't pay.  Theologically, you can almost see sin's creeping tentacles slowly wrap around MacMurray and pull him foot by foot into his own pit.
The closing scene is artistically brilliant in its reverse foil.  MacMurray's friend, who was always in need of a match, suddenly has one on hand and lights one last cigaret for MacMurray as he waits dying for both the ambulance and the police.
A classic crime and suspense tale, but not incredible.  The Josh rating: JJJ.